In 1872 it was acquired by the Royal Irish Academy, the organisation responsible for setting up what is now the National Museum of Ireland. the National The brooch consists of a series of trays into which silver gilt and gold panels fit. It’s fair to assume they would have been reasonably similar to the surviving panels of course, but there can never be too many examples of such high quality work. The Tara Brooch is actually a little bit misleading, in name at least. as human heads in glass. It was used to fasten a cloak onto clothes. When the brooch fell into his hands, he saw an irresistible sales opportunity and renamed it the Tara Brooch. I have an antique queens patter Tara brooch by west & son Dublin. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. history of Irish art. In 1850, two sons from a peasant family on the east coast, 50km north of Dublin, found it inside a tin box on a beach. He quickly told her it was of absolutely no use or interest to him, but undeterred, the mother then brought it to a watchmaker. He didn’t hold onto it for very long however, and sold it on to Waterhouse Jewellers for a somewhat more profitable twelve pounds. numerous Celtic Add this Celtic brooch to a sweater for a bit of Irish flair. Celtic Its front is ornamented with panels of interlace design in gold Gift Box included. Its decoration is entirely embellished with celtic knots and interlaces, triskeles, animal and human heads and geometric shapes. in the La Tène style of Celtic I was struck by its beauty when I first saw it online but continued looking at other sites to see if I might find something I liked better, but nothing compared(...), I bought the Silver Celtic Knot Bangle as a birthday present for my little Sister living in Germany. Human heads can be seen too, but either the maker or the wearer of the pin seems to have been more fond of dragons and snakes. The triskel design on the Tara Brooch inspired one of our newest pieces the Silver Triskel Pendant. art. The designs are broken up with studs at various intervals with beads of amber, glass, and enamel. The pin was always pointed upwards, in fact there was even a law stating that if a person was injured by someone else’s pin, the owner was not at fault providing it did not protrude too far outwards (how exactly they measured that is anybody’s guess). On this rainy Friday, we are continuing with Our Irish Treasures series by looking at one of the most iconic pieces of Irish metalwork, The Tara Brooch. Elaborately decorated, there was a piece of finely woven chain attached to the brooch, which indicated it was probably part of a pair. art, scholars believe it was made for a wealthy patron, probably male, Discovered around 1850 in Bettystown, Co. Meath, it is exquisitely made in silver and gilt, decorated with interlacing patterns, spiral and trumpet devices, silver framed glass studs and gold filigree. As one of the most interesting examples of Celtic It is made of many precious materials such as vermeil, gold, amber, silver, copper and glass. Bloomsday is coming, but what’s it all about? Your brooch sounds amazing. Celtic of Cong, created for Turlough O'Connor to hold a relic of the Crucifixion. Even the pin has some gold filigree work on the shaft, although for practical reasons it is a lot less intricate than the pin. Brooches have been made in many different shapes. Would you know who the silversmith is? is ornamented in La This is probably because it was intended as a symbol of wealth and status rather than anything else. This old style brooch is 2 inches across by 3 1/2 inches and uses a conventional pin. Made jewelry marked with “Tara” hang-tags and “Tara” mark for Fred Lubwold, 5th Avenue, NY (see Tara) “Juliana Original” was a name DeLizza & Elster (D&E) sold under beginning in 1967 through 1968. symbol. The brooch is pseudo-penannular in style, meaning that the ring has no opening but the design is the same as a penannular brooch. A long brooch that resembled the fibula was made throughout Europe from the Black Sea to Britain, differing in ornamentation and design in each region. During the early Middle Ages, brooches bore special significance in Celtic culture as demonstrations of status and … quality of materials and metallurgical craftwork used in the manufacture The Hill of Tara, in the very centre of the country, was the seat of the high king of Ireland in Celtic days. The brooch is on display at Designs started out plain and simple, but from around 700 – 900 AD there seemed to be a trend of beautifully decorated brooches made from precious metals. With penannular brooches the pin was then slightly rotated around the ring to secure it. In contrast to other types of jewellery from the time, the Tara Brooch has no Christian or Pagan symbolism. masterpieces of the late La Tene Celts, which culminated in the The pin would have been secured by tying it down onto the material with the chain, possibly using another small pin at the end to pierce the cloth. An exquisite example of medieval jewellery Ten objects from The Treasury exhibition that best represent the range of skills and styles of decoration used from the Iron Age to the end of the early medieval period. The Tara Brooch is made of gold, silver, copper, amber, and colored glass. Weapons Art. Royal Tara Brooch Tea and Toast Set Made in Ireland Celtic Design Tara Brooch Vintage Irish Fine Bone China SacredTables. This site uses Akismet to reduce spam. designs - many of Celtic metalwork art of the Dated to about 700 CE, the in Ireland, see: Irish Art Guide. brooches of the period. The name ‘Tara’ means ‘star’ in Sanskrit and the bodhisattva is likened to the North Star, as it is her role to guide those who are lost onto the path of enlightenment. seat of the legendary High Kings of Ireland. as a sales ploy by the antique dealer who purchased it. is a Roman-style penannular ring brooch - most of which were used for Christian art. The 'Tara' Brooch. Art in Britain and Ireland Inspiration: Custom Irish Jewelry Designs. momentum to the Celtic The Detailed Design of the Tara Brooch The tara brooch is an 18cm (7 inch) pseudo-penannular brooch (a type of brooch that is used to fasten clothing and are typically large). Christmas Shipping: Free Delivery Ireland and UK | For all other countries, we recommend choosing UPS Express at checkout, Handcrafted Irish Jewelry, Inspired by the Past, Sign up for our newsletter & receive 10% off your first order. The back side is flatter than the front but both sides feature elaborate motifs separated by studs of glass, enamel and amber. The front is ornamented with a series of exceptionally fine gold filigree panels depicting animal and abstract motifs that are separated by studs of glass, … Inspired by heritage, the jewelry is stylish and perfect for the modern age! For our main arts index, see: Homepage. The Tara Brooch is another piece of ancient jewellery with a rich history. This is consistent with the superlative They appear both as opposing pairs and singly. The settings contain numerous geometric All of the materials used are of exceptionally high quality. Tara Brooch Older and more ornate than The Ardagh Chalice, it could even be considered more impressive than its fellow treasure due to the unbelievable skill that went into making such an ornate yet small piece. Art, Late European Style 5 out of 5 stars (38) 38 reviews $ 43.95. The brooch is seven inches long and made mostly of silver-gilt inlaid with semi-precious stones. However, the brooch itself has nothing to do with Tara, and wasn’t even discovered anywhere close by. the advanced craft of goldsmithing in So that’s where the name comes from! The brooch is now on permanent display in the National Museum, Dublin. I HAVE A TARA BROOCH THAT I PURCHASED YEARS AGO . Its decoration is entirely embellished with celtic knots and interlaces, triskeles, animal and human heads and geometric shapes. Celtic In one tale from around the time the ‘Tara’ brooch was made, a Munster king who sleeps with the goddess of sovereignty tells his wife to clothe the goddess in a purple cloak and ‘the queen’s brooch’. It’s still inspiring and representing people today, and although we may not wear brooches as big or as ornate these days (or cloaks to fasten for that matter), a penannular style brooch is still a unique and eye-catching accessory. Other companies besides D&E made some Tara jewelry, and Tara may have manufactured some of their own after the move to California. The Tara Brooch 8th Century AD. The most famous medieval brooch is the Tara Brooch, an eighth century creation that most of our Irish pins are modeled after. From shop SacredTables. This field is for validation purposes and should be left unchanged. The Tara brooch is made by Solvar Ltd in Dublin. This was either because the maker wanted a complete piece (or wanted to show off), or because the Celts believed that placing certain designs on the body gave protective powers. The original Tara Brooch was made of silver gilted bronze, decorated in gold filigree with embellishments of amber, gold, glass, and copper. The original piece is made of gold, silver, bronze, copper, amber, and glass and features intricate filigree patterns. The Tara Brooch was found on a beach in Bettystown, Co Meath. It was featured in the Great Exhibition in London in 1851 and later in the Exposition Universelle in Paris, as well as an exhibition in Dublin in 1853, where the Queen came to look at it for a second time. ... Celtic Revival Jewelry, Made in Ireland, Pennanular Brooch, Cloak Clasp, Claddagh Jewelry FrenchArtAntiques. Ten major pieces from The Treasury. These are probably the only element of the brooch that is even remotely simplistic – the maker has stuck to ordinary geometric shapes with a few human head engravings. Petrie Crown, the 8th/9th century Derrynaflan Read more. Celtic Coins Celtic Thanks for your comment Timothy! Comprised of gold, silver, and copper, it forms a complete circle. The brooch comes in a lovely gift box for easy gift giving. The best example is the pin’s head which started out as a golden nugget, and was moulded and engraved to look like a dragon’s head. Several connecting parts of the brooch are emblazoned It is usually made of metal, often silver or gold or some other material. Although this brooch is the original, the term ‘Tara brooch’ has become a generic term referring to brooches inspired by the Celtic Revival. having been discovered outside Bettystown, near Laytown, County Meath, The Tara Brooch is the most iconic of all Irish brooches, dates back to c.700 ad. Analysis of this object has shown that it was made of gold, silver, copper, amber, and colored glass. It needs to be done by gold wire work and beading so doing this perfectly in minute detail on the small panels of the brooch would not have been an easy task. Its rear is decorated in plainer style, with Much of the decoration is interlace, often involving animal forms. In both styles, the ring section does not actually have any fastening function and is supposed to sit on top of the pin as a decorative element. in 1850 by a peasant woman. as a sign of his wealth and high status. (8th/9th century) and the 12th century Cross The Tara Brooch is a classic example of Bronze Age craftsmanship, made in Ireland circa 700 AD. Penannular brooches had a small gap in the ring for the pin to move in between. Triskeles (a triple spiral design that forms a triangular shape, used in Celtic art for the most important sites and people in the society) are also a prominent feature on the front of the pin. The brooch doesn’t have any religious motifs and is thought to have been made for a man of extremely high status such as a king or a clan leader. The motifs consist of scrolls and triple spirals and recall La Tène decoration of the Iron Age. Even so, it is The back side includes panels of silver fastened over copper. For details of the development He had been producing jewellery inspired by Celtic styles for some time already, and had a very good reputation because of it. Hi Brenda, thanks for sharing! Such a rare find, I’m sure it is absolutely stunning. These more ornate brooches also get a mention in early Irish law; the sons of major kings must wear ‘brooches of gold having crystal inserted in them’, although sons of minor kings could make do with silver. The techniques used to create this aspect alone include filigree, chip carving, granulation, and embossing, so it is clearly an example of a master craftsman at work. The artifact was only called the Tara Brooch Unlike the front, the decoration has been cast rather than embossed, carved or engraved. It’s a shame that the brooch is no longer in perfect condition; who knows what other intricate designs adorned the missing panels? It is made of cast and gilt silver and is elaborately decorated on both faces. Beautiful Celtic Jewelry, handcrafted in Co. Wicklow, Ireland. 5 out of 5 stars (1,042) 1,042 reviews. patternwork. It is an Annular Brooch – this consists of a ring and a pin. Jewellery art. shapes in amber. It is not known who the Tara Brooch was made for, although it’s obvious that it was for someone considerably wealthy and almost certainly male. This brooch was found not in Tara but near the seashore at Bettystown, Co. Meath, in 1850. I bought this for my wife as part of our anniversary celebration and she loved it. Luckily, it’s easy to imagine what it would have looked like as a complete piece, since the rest of it is still in such fine condition. The Tara Brooch (c.700 CE). History, Description, Discovery of Silver The Tara Brooch is believed to have been crafted in the 8th century. In fact such is the detailing in the design that it was made into many different pieces before they were connected into place, and it has been said that that when it was discovered, all but one panel was missing. Info courtesy Dottie Sheffield, ID: jim-n-dottie; View a Tara Fifth Avenue catalog from a 1965 sales kit. This feature is formed of animal heads framing two tiny cast glass human heads. Back of the Tara Brooch (National Museum Image). DESIGNS OF THE ANCIENT A paper hang tag was used on the jewelry. THERE’S NO GEMS HOWEVER IT’S VERY ORNATE . One of the great surviving masterpieces From shop FrenchArtAntiques. 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